The Ultimate Guide to Florence
What I love most about Florence is that it was the birthplace of the Renaissance, the time period from the 14th to 17th centuries that was the crucible of modern European culture,” says Silvia Ponticelli, 49, and a charming and impressively erudite Florence native who holds a degree in art history and attended an interpreter’s school before deciding to become a professional tour guide 16 years ago. “I like to share my passions with people,” says Ponticelli, who speaks four languages (Italian, French—her mother is French— English and German) and has a wonderful sense of humor.
“A city like Florence, which has over 61 different museums and so many other extraordinary things to see and do can be a bit overwhelming. So I’m here to help craft perfect days or weeks in the city in such a way as to avoid the malady that befell the great French writer Stendhal.”
Stendhal, the pen name of 19th century French writer Marie-Henri Beyle, author of the famous novel The Red and the Black gave his name to the mild psychosomatic illness, Stendhal’s Syndrome, he experienced while visiting Florence in 1817. As he explains in another one of his books Naples and Florence: A Journey from Milan to Reggio, following a visit to the Basilica of Santa Croce in Florence, where Michelangelo and Galileo are buried and the walls are covered with frescoes by Giotto, “I was in a sort of ecstasy, from the idea of being in Florence, close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty… I reached the point where one encounters celestial sensations… Everything spoke so vividly to my soul.”
In plainer words, poor, old Stendhal was just plain floored by the aesthetic richness of Florence, a reaction Ponticelli says she’s witnessed many times. “This is why I advise people that it’s better to enjoy a smaller number of special, carefully chosen experiences than to think that you see everything during a single visit to the city. I’ve lived here all of my life and I’m still discovering new things!” she says. Here is a selection of her Florence favorites.
Favorite Work of Art
The Michelangelo Crucifix in the Basilica di Santo Spirito. “The year 1492 was very important in Florence, because Lorenzo the Magnificent, the great statesman and patron of the arts, died. This meant Michelangelo lost his patron, which is why he moved to the Basilica di Santo Spirito, where he did anatomical studies on corpses brought to the church for funerals. The knowledge of the human body he gained is powerfully expressed by the remarkably lifelike wooden crucifix he produced while he was living at the church,” says Ponticelli.
Tip for Museum Visits
“Few people know that both the Uffizi Museum and the Accademia Gallery can be visited outside of their normal opening hours. These special hours are announced as ‘news’ on the websites of the respective museums,” she advises.
“I like to create itineraries that include a mixture of venues. So after museums and churches, I’ll take people for a walk to the Giardino Bardini, a beautiful Italian garden that just recently opened to the public. There’s a spectacular view over the city from this garden, too.”
Lastrucci: Mosaics made with semi-precious stones. “This is a typical Florentine handicraft,” says Ponticelli. “The mosaics are made today in the same way that they were when they were chosen by Grand Duke Cosimo I to decorate the Medici chapels. These mosaics are meant to last forever. They work by commission, and what I most enjoy about visiting the studio is to see the way they work. There are only two or three apprentices in the studio, so this is a craft that may disappear one day.”
Ippogrifo: Hand-made etchings. “Etching was the first way of printing beautiful images,” explains Ponticelli. “At Ippogrifo, you see the whole process of creating an etching. First, a copper plate is coated with protective wax, then the artwork is drawn in the wax. Next the plate is immersed in acid, which consumes the exposed copper to create the etching plate. It’s an absolutely fascinating process.”
Galleria Romanelli: Bronze sculpture and statues. “This studio produces statues by using the traditional lost wax technique. You can see the whole process in their atelier, where they work with molten metal. It’s very dramatic.”
Paolo Penko: Jeweler. “Paolo Penko is a craftsman who is often inspired by the art of the Renaissance in his jewelry designs. He is a master goldsmith known for working in white and yellow gold together, which is part of the great jewelry making tradition of Florence.”